The Reader 3gp Movie Download

. English. German. GreekBudget$32 millionBox office$108.4 millionThe Reader is a 2008 German-American directed by and written by, based on the 1995 German. And star along with the young actor. It was the last film for producers and, both of whom died prior to its release. Production began in in September 2007, and the film opened in limited release on December 10, 2008.The film tells the story of Michael Berg, a German lawyer who, as a mid-teenager in 1958, has an affair with an older woman, Hanna Schmitz, who then disappears only to resurface years later as one of the defendants in a trial stemming from her actions as a guard at a.

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Michael realizes that Hanna is keeping a personal secret she believes is worse than her Nazi past – a secret which, if revealed, could help her at the trial.Winslet and Kross, who plays the young Michael, received acclaim for their performances; Winslet won a number of awards for her role, including the. The film itself was nominated for several other major awards, including the.

Contents.Plot In 1995, after a woman he has spent the night with leaves his apartment abruptly after he has made her breakfast, Michael Berg watches a pass by, setting up a to a in 1958. In the flashback, as a 15-year-old boy, Michael feels sick while wandering the streets. Pausing nearby an apartment building he vomits.

Hanna Schmitz , a tram returning home, cleans him up and helps him return home. Michael, diagnosed with, recuperates at home, and once recovered, he visits Hanna with flowers to thank her.The 36-year-old Hanna seduces him, and they begin an affair. They spend much of their time together having sex in her apartment after she has had Michael read to her from literary works he is studying. After a bicycling trip with Michael, Hanna learns that she was promoted to a clerical job at the tram company's office, upon which she suddenly leaves her home, without telling Michael or anyone else where she has moved to.In 1966, Michael is at. As part of a special seminar, the students observe a trial (similar to the ) of several women accused of letting 300 Jewish women die in a burning church when they were guards on the following the 1944 evacuation of a near. Michael is stunned to see that Hanna is one of the defendants.The key evidence in the trial is the testimony of Ilana Mather , author of a memoir relating how she and her mother , who also testifies, survived. She describes how Hanna had women from the camp read to her in the evenings.

Hanna, unlike her co-defendants, admits that Auschwitz was an and that the 10 women she chose during each month's were gassed. She denied however, authorship of a report on the church fire event, which they blamed on her. Requested to provide a handwriting sample, she admits the charge, rather than to comply with the handwriting test.Michael then realizes Hanna's secret: she is illiterate, a fact she has been concealing all her life. The other guards who blamed the written report on her are lying to clear themselves. Michael informs the law professor of the favorable fact, but since the defendant herself has chosen to not disclose it, the professor is not sure what to do about it. Michael, though permitted to visit Hanna, leaves the prison, without seeing her.Hanna receives a life sentence for her admitted leadership role in the church deaths, while the other defendants are sentenced to four years and three months each.

Michael , meanwhile, marries, has a daughter, and divorces. Retrieving his books from the time of his and Hanna's affair, he begins reading them into a tape recorder, which he then sends to Hanna.

Eventually, she begins borrowing books from the prison library and teaches herself to read and write by following along with Michael's tapes. She starts writing back to Michael, first in brief, childlike notes, and as time goes by, her letters reflect her gradually improving literacy.In 1988, a prison official telephones him to seek his help with Hanna's transition into society after her upcoming early release for good behavior. Having no family or other relations, he finds a place for her to live and even a job, and finally visits Hanna towards her release. In their meeting, Michael remains somewhat distant, inquiring about what she has learnt from her past, to which she replies just 'It doesn't matter what I feel and it doesn't matter what I think. The dead are still dead'.Michael arrives at the prison on the date of Hanna's release with flowers only to realize that Hanna hanged herself. She has left a tea tin with cash inside and a note asking him to deposit the money in a bank account to Ilana, whose memoir relating her dreadful experiences in the concentration camp, Hanna has read.Michael travels to New York City where he meets Ilana (now ) and confesses his relationship with Hanna. He tells her about the suicide note and Hanna's illiteracy.

Ilana tells Michael there is nothing to be learned from the camps and refuses the money, whereupon Michael suggests that it be donated to any Jewish welfare organization which he sees fit. Ilana keeps the tea tin, similar to the one stolen from her in Auschwitz.The movie ends with Michael driving Julia, his daughter, to Hanna's grave and telling her their story.Cast. as Hanna Schmitz. as the older Michael Berg. as the younger Michael Berg. as Professor Rohl, a Holocaust survivor.

as Ilana Mather, a former victim of a concentration camp. as Rose Mather (Ilana's mother), and as the older Ilana Mather.

as Sophie, Michael's friend at school. as Marthe, Michael's friend at university. as the judge at Hanna's trial. as Mrs. Brenner, prison official. as Julia, Michael Berg's daughter in 1995.

as Brigitte, Michael's girlfriend in 1995. as Carla Berg, Michael's mother. as Peter Berg, Michael's father. as Thomas Berg, Michael's brother.

Alissa Wilms as Emily Berg, Michael's sister. as the prosecutor at Hannah's trial. as the defense lawyer at Hannah's trial.

as Dieter Spenz, a student in the seminar groupProduction In April 1998 acquired the rights to the novel, and principal photography began in September 2007 immediately after was signed to direct the film adaptation and Fiennes was cast in a lead role. Winslet was originally cast as Hanna, but scheduling difficulties with led her to leave the film and was cast as her replacement. In January 2008, Kidman left the project, citing her recent pregnancy as the primary reason. She had not filmed any scenes yet, so the studio was able to recast Winslet without affecting the production schedule.Filming took place in Berlin, on the near, and was finished in on July 14. Filmmakers received $718,752 from Germany's Federal Film Board. Overall, the studio received $4.1 million from Germany's regional and federal subsidiaries.Schlink insisted the film be shot in English rather than German, as it posed questions about living in a post-genocide society that went beyond mid-century Germany.

Daldry and Hare toured locations from the novel with Schlink, viewed documentaries about, and read books and articles about women who had served as SS guards in the camps. Hare, who rejected using a narration to render the long internal monologues in the novel, also changed the ending so that Michael starts to tell the story of Hanna and him to his daughter. 'It's about literature as a powerful means of communication, and at other times as a substitute for communication', he explained.The primary cast, all of whom were German besides Fiennes, Olin, and Winslet, decided to emulate Kross's accent since he had just learned English for the film. Replaced as cinematographer. One of the film's producers, left the production over a dispute about the rushed editing process to ensure a 2008 release date and had his name removed from the credit list.

Rudin differed with Harvey Weinstein 'because he didn't want to campaign for an Oscar along with and Revolutionary Road, which also stars Winslet.' Winslet won the for The Reader. Marc Caro wrote, 'Because Winslet couldn't get Best Actress nominations for both movies, the Weinstein Co.

Shifted her to supporting actress for The Reader as a courtesy.' But that it is '. Up to the voters to place the name in the category that they think is appropriate to the performance', resulting in her receiving more Best Actress nomination votes for this film than the Best Actress submission of her Revolutionary Road performance.

Winslet's head-to-head performances also won the for Revolutionary Road and for The Reader.reported that to 'age Hanna from cool seductress to imprisoned war criminal, Winslet endured seven and a half hours of makeup and prosthetic prep each day.' Lisa Schwarzbaum of Entertainment Weekly writes that 'Ralph Fiennes has perhaps the toughest job, playing the morose adult Michael – a version, we can assume, of the author. Fiennes masters the default demeanor of someone perpetually pained.'

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The sex scenes were shot last, after Kross had turned 18. A was designed for Winslet's scenes, but she refused to wear it.

Release On December 10, 2008 The Reader had a at 8 theaters and grossed $168,051 at the domestic box office in its opening weekend. The film had its on January 30, 2009 and grossed $2,380,376 at the domestic box office. The film's widest release was at 1,203 theaters on February 27, 2009, the weekend after the Oscar win for Kate Winslet.In total, the film has grossed $34,194,407 at the domestic box office and $108,901,967 worldwide.The film was released in the US on April 14 (DVD) and April 28 (Blu-ray), 2009 and in the UK on May 25, 2009 (both versions).

In Germany two DVD versions (single disc and 2-disc special edition) and Blu-ray were released on September 4, 2009. Critical reception. 's performance garnered critical acclaim and earned her the, the first of her career after five previous nominations.The Reader received mixed to positive reviews and has a rating of 62% on, based on 196 reviews, with an average score of 6.4/10. The consensus states, 'Despite Kate Winslet's superb portrayal, The Reader suggests an emotionally distant, historical drama.' The film has a score of 58 out of 100 on based on 38 reviews.Ann Hornaday of wrote, 'This engrossing, graceful adaptation of Bernhard Schlink's semi-autobiographical novel has been adapted by screenwriter David Hare and director Stephen Daldry with equal parts simplicity and nuance, restraint and emotion. At the center of a skein of vexing ethical questions, Winslet delivers a tough, bravura performance as a woman whose past coincides with Germany's most cataclysmic and hauntingly unresolved era.'

Of wrote, 'You have to wonder who, exactly, wants or perhaps needs to see another movie about the that embalms its horrors with artfully spilled tears and asks us to pity a death-camp guard. You could argue that the film isn’t really about the Holocaust, but about the generation that grew up in its shadow, which is what the book insists. But the film is neither about the Holocaust nor about those who grappled with its legacy: it's about making the audience feel good about a historical catastrophe that grows fainter with each new tasteful interpolation.'

Patrick Goldstein wrote in the, 'The picture's biggest problem is that it simply doesn't capture the chilling intensity of its source material,' and noted there was a 'largely lackluster early reaction' to the film by most film critics.