Pat Martino Joyous Lake Rar

1. Pat Martino Joyous Lake Rar File

BiographyBiographyWhen the anesthesia wore off, Pat Martino looked up hazily at his parents and his doctors. And tried to piece together any memory of his life.One of the greatest guitarists in jazz.

Martino had suffered a severe brain aneurysm and underwent surgery after being told that his condition could beterminal. After his operations he could remember almost nothing. He barely recognized his parents. And had no memory of his guitar or his career. Heremembers feeling as if he had been 'dropped cold, empty, neutral, cleansed.naked.' In the following months. Martino made a remarkable recovery.

Through intensive study of his own historic recordings, and with the help of computertechnology, Pat managed to reverse his memory loss and return to form on his instrument. His past recordings eventually became 'an old friend, aspiritual experience which remained beautiful and honest.' This recovery fits in perfectly with Pat's illustrious personal history. Since playing his firstnotes while still in his pre-teenage years, Martino has been recognized as one of the most exciting andvirtuosic guitarists in jazz. With a distinctive, fatsound and gut-wrenching performances, he represents the best not just in jazz, but in music. He embodies thoughtful energy and soul.Born Pat Azzara in Philadelphia in 1944, he was first exposed to jazz through his father, Carmen 'Mickey' Azzara, who sang in local clubs and brieflystudied guitar with Eddie Lang.

Pat Martino Joyous Lake Rar File

He took Pat to all the city's hot-spots to hear and meet Wes Montgomery and other musical giants. 'I have alwaysadmired my father and have wanted to impress him. As a result, it forced me to get serious with my creative powers.' He began playing guitar when he was twelve years old.

And left school in tenth grade to devote himself to music. During Visits to his music teacherDennis Sandole, Pat often ran into another gifted student, John Coltrane, who would treat the youngster to hot chocolate as they talked about music.Besides first-hand encounters with `Trane and Montgomery, whose album Grooveyard had 'an enormous influence' on Martino, he also cites JohnnySmith, a Stan Getz associate, as an early inspiration.

'He seemed to me, as a child. To understand everything about music,' Pat recalls.Martino became actively involved with the, early rock scene in Philadelphia, alongside stars like Bobby Rydell, Chubby Checker and Bobby Darin.His first road gig was with jazz organist Charles Earland, a high school friend. His reputation soon spread among other jazz players, and he wasrecruited by bandleader Lloyd Price to play hits such as Stagger Lee on-stage with musicians like Slide Hampton and Red Holloway.Martino moved to Harlem to immerse himself in the 'soul jazz' played by Earland and others.

Previously, he had 'heard all of the white man's jazz. Inever heard that other part of the culture,' he remembers. The organ trio concept had a profound influence on Martino's rhythmic and harmonicapproach.

And he remained in the idiom as a sideman, gigging with Jack McDuff and Don Patterson. An icon before his eighteenth birthday, Pat wassigned as a leader for Prestige Records when he was twenty. His seminal albums from this period include classics like Strings!, Desperado, El Hombreand Baiyina (The Clear Evidence), one of jazz's first successful ventures into psychedelia.In 1976, Martino began experiencing the excruciating headaches which were eventually diagnosed as symptoms of his aneurysms. After his surgeryand recovery, he resumed his career when he appeared in1987 in New York, a gig that was released on a CD with an appropriate name, The Return.He then took another hiatus when both of his parents became ill, and he didn't record again until 1994, when he recorded Interchange and then TheMaker.Today, Martino lives in Philadelphia again and continues to grow as a musician.

As the New York Times recently noted, 'Mr. Martino, at fifty, isback and he is plotting new musical directions, adding more layers to his myth.' His experiments with guitar synthesizers, begun during his rehabilitation,are taking him in the direction of orchestral arrangements and they promise groundbreaking possibilities. Musicians flock to his door for lessons, and heoffers not only the benefits of his musical knowledge, but also the philosophical insights of a man who has faced and overcome enormous obstacles.'

The guitar is of no great importance to me,' he muses. 'The people it brings to me are what matter. They are what I'm extremely grateful for, becausethey are alive. The guitar is just an apparatus.'

Biography courtesy of DL MediaA Brief ResumePat began playing professionally in1961. He has performed with a wide variety of artists including Sonny Stitt,Gene Ammons, Richard Groove Holmes, John Handy, Bobby Hutcherson, Chick Corea,Jack McDuff, Don Patterson, Stanley Clark, Eric Kloss, Trudy Pitts, WillisJackson, Lloyd Price, Woody Herman,Chuck Israels, Charles Earland, Barry Miles and Joe Pesci.